September 28, 2016 - November 10, 2016
Galerie de Sèvres
4 place André Malraux
75001 Paris
www.sevresciteceramique.fr
Lee Ufan will present a series of ceramic and terracotta works at the gallery of Manufacture nationale de Sèvres, in the upcoming exhibition Lee Ufan: Les fragments et la fenêtre. [More info at the website]
May 29, 2016 - September 24, 2016
Château La Coste
2750 Route De La Cride
13610 Le Puy-Sainte-Réparade, France
Château La Coste, in collaboration with Lisson Gallery and galerie kamel mennour, is delighted to present an exhibition of new and recent work by Lee Ufan. Housed within a custom-built gallery space designed by French architect, Jean Michel Wilmotte, this is the second exhibition in Château La Coste’s art programme. [More info at the website]
March 16, 2016 - October 9, 2016
Hermitage Museum
Great Courtyard of the Winter Palace
2 Palace Square, St Petersburg, Russia, 190000
From the Museum website:
The Modern Art Department presents the show of The Cane of Titan by the minimalist Japanese (Korean) artist Lee Ufan staged as part of the “Sculpture in the Courtyard” project.
November 20, 2015 - January 9, 2016
Pace Hong Kong
15C Entertainment Building
30 Queens Road Central
Hong Kong
From the Pace Hong Kong website:
Pace Hong Kong is pleased to announce its first solo exhibition of Lee Ufan which presents his new works. It is the artist’s first exhibition in Hong Kong after his landmark 2011 survey at the Solomon R. Guggenheim Museum, and follows his 2014 solo presentation of twelve site-specific works created for the Château de Versailles. The exhibition will be on view from Nov 20, 2015 to Jan 9, 2016 at 15C Entertainment Building.
September 15, 2015 - October 31, 2015
Pace London
6 Burlington Gardens
London W1S 3ET
From the Pace London Gallery website:
Pace London’s exhibition highlights works produced in the 1970s and 1980s, considering Lee’s important early practice and seminal contribution to Tansaekhwa. Emerging in South Korea in the 1960s and flourishing through the 1970s, Tansaekhwa reacted against dominant trends of figuration and realism in Korean art, pursuing a new type and method of painting grounded in abstraction.